Mercer Cluster

Review: “Locke & Key” is another hit for Netflix

Review: “Locke & Key” is another hit for Netflix

Mandi DeLong, Staff Writer

March 31, 2020

With many twists and turns, intriguing characters, a compelling plot and stellar exploration of themes, “Locke & Key” should be your next Netflix binge watch.

Review: Lil Uzi Vert’s “Eternal Atake” double album brings the Uzi back to the charts

Review: Lil Uzi Vert’s “Eternal Atake” double album brings the Uzi back to the charts

Chance Allen, Staff Writer

March 25, 2020

Despite the long gaps between Uzi’s various projects throughout his career, “Eternal Atake” takes the lead at being perhaps his best album thus far.

“Love Is Blind”: The show we didn’t think we needed

“Love Is Blind”: The show we didn’t think we needed

Hunter Gause, Contributing Writer

March 25, 2020

Would you be able to fall in love with someone and commit to them, without seeing them? Netflix’s newest hit show, “Love Is Blind,” gave the term “blind date” a whole new meaning and pushed the boundaries of finding love.

Review: Raveena plunges deep into love with “Moonstone”

Review: Raveena plunges deep into love with “Moonstone”

Chance Allen, Staff Writer

February 27, 2020

Raveena has released her sophomore EP “Moonstone.” Just like the rest of her repertoire, it doesn’t disappoint.

Review: ‘The Circle’ sparks conversations about gender, sexuality and identity online

Review: ‘The Circle’ sparks conversations about gender, sexuality and identity online

Emily Rose Thorne, Digital Editor

February 25, 2020

At first glance, the show seems like it wants to warn viewers of the dangers of social media, but the players’ disdain for catfish reveals the deeper message: even online, people want to see real, authentic humans and forge connections with them.

Review: “Little Women” finally delivers the honesty female characters deserve

Review: “Little Women” finally delivers the honesty female characters deserve

Serena Golden, Photography Editor

February 1, 2020

It's easy to brush “Little Women” off as something that’s been done before, but Greta Gerwig's adaptation does something different.

Review: “Star Wars: The Rise of Skywalker” falls flat

Review: “Star Wars: The Rise of Skywalker” falls flat

Samantha Homcy, Contributing Writer

January 31, 2020

The Achilles’ heel of the sequel trilogy is the handing off of the director title from Abrams to Johnson then back to Abrams. As a result, “The Rise of Skywalker” feels disjointed. It attempts to tie up the loose ends of the past few films, but ends up raising more questions than answers. 

Review: Harry Styles’ “Fine Line” is off the charts

Graphic by Serena Golden.

Jules Tollett, Lead Arts & Entertainment Writer

January 29, 2020

The album “broke (the) record as the biggest sales debut from an English male artist in the U.S.,” according to Official Charts.

Review: Gary Blackburn’s camera captures the beauty of the Southern landscape

Review: Gary Blackburn’s camera captures the beauty of the Southern landscape

Ivy Clarke, Staff Reporter

November 26, 2019

While Blackburn’s early photography work was primarily done in black and white film, these new pieces explore the power of color and digital media.

Review: Disney+ just isn’t worth it yet

Review: Disney+ just isn’t worth it yet

Chas Pridgen, Copy Editor

November 23, 2019

Though it has tons of content, it isn’t really anything special. It's not necessary, the content isn't new and the website's interface doesn't hold its own against competitors.

Review: Misterwives bloom again

Review: Misterwives bloom again

Jenna Sanders, Contributing Writer

November 22, 2019

Their new EP, “Mini Bloom,” consists of five songs that show off the lead singer Mandy Lee’s vocal talent, while allowing the instrumentals to shine through. Drummer Etienne Bowler truly stands out, along with bass player William Hehir on this EP.

Review: Kanye West’s “Jesus Is King” has high points, but West’s intentions do not align with his delivery

Graphic by Lidya Dereje.

Michael Williams, Contributing Writer

November 21, 2019

While a fine LP, “Jesus Is King” is a watered-down amalgamation of West’s least ambitious moments strung together by a loose Christian influence.

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